A weekly roundup of music in the news, delivered on Monday evenings. Principally Australian with some international items.
|
|
How long is a piece of music? |
|
|
|
|
Sunday, 12 May 2013 13:53 |
|
Conductor Mark Wigglesworth wonders if the experience of live music should live longer than the music itself?
Limelight |
|
Sunday, 12 May 2013 13:50 |
|
Iconoclastic British composer who always went his own way tragically passes at 53.
Limelight |
|
Opera Australia slashes singers' contracts |
|
|
|
|
Sunday, 12 May 2013 13:48 |
|
Lyndon Terracini cuts back on key opera principals in order to accommodate another musical.
Limelight |
|
Stick to one instrument, violinist Nicola Benedetti tells pushy parents |
|
|
|
|
Sunday, 12 May 2013 13:47 |
|
Privileged children need less choice and harder work to learn true meaning of fun, says leading soloist
The Guardian UK |
|
Say cheese: music's sultans of schmaltz are still a soft sell |
|
|
|
|
Sunday, 12 May 2013 13:42 |
|
Ever wondered why the music offerings for Mother's Day are so, well, cheesy?
SMH |
|
Violinist adds another string to his bow as concertmaster |
|
|
|
|
Sunday, 12 May 2013 13:38 |
|
As violinist Andrew Haveron came through Sydney Airport immigration at 6am last Monday his face broke into a huge smile.
SMH |
|
Valley live music scene the 'envy of the nation' |
|
|
|
|
Sunday, 12 May 2013 13:37 |
|
Fortitude Valley's live music scene is the "envy of the nation", according to a study published by urban researchers.
SMH |
|
One man hit factory stacked the charts |
|
|
|
|
Sunday, 12 May 2013 13:35 |
|
George Jackson (1945-20130 wrote the Osmonds’ first American hit One Bad Apple (1970), which went to the top of the charts and became a pop classic.
SMH |
|
Sunday, 12 May 2013 13:34 |
|
Regardless of where you stand on the piracy debate, it's pretty clear that Digital Rights Management has done little to curb unauthorised copying of digital content.
SMH |
|
Jail workshop comes with a few strings attached |
|
|
|
|
Sunday, 12 May 2013 13:31 |
|
You would be hard-pressed to find a more attentive and eager group of students than the 30 gathered in front of the Sydney Symphony's fellows and their artistic director Roger Benedict.
SMH |
|
No tickets on people-friendly venues |
|
|
|
|
Sunday, 12 May 2013 13:20 |
|
Arts centres used to be remote and slightly forbidding places: getting to them involved undertaking a pilgrimage or at least a change of perspective. It may have meant crossing a river (how many arts centres are on a city's far embankment?) or ascending a hill or podium, as at the Sydney Opera House.
The Australian |
|
Singers to protest opera pay cuts |
|
|
|
|
Sunday, 12 May 2013 13:14 |
|
The chorus of disapproval is growing about possible pay cuts for principal singers at Opera Australia, with singers yesterday vowing to protest against reduced contracts.
The Australian |
|
Fee hike mars MSO's return |
|
|
|
|
Sunday, 12 May 2013 13:12 |
|
Melbourne Symphony Orchestra's return to its home concert hall has been accompanied by a stinging hike in venue hire fees.
The Australian |
|
Aunty channels the on-demand culture |
|
|
|
|
Sunday, 12 May 2013 13:11 |
|
You can hardly refer to Katrina Sedgwick as the new head of arts at the ABC because she stepped into the role in February last year. For the past 14 months, the arts executive who made her name as the inaugural director of the Adelaide Film Festival has been tinkering away at the schedule and programming cache she inherited.
The Australian |
|
Victoria's peak body for live music has funding chopped by half in state budget |
|
|
|
|
Sunday, 12 May 2013 13:06 |
|
The States peak body for live music has had funding halved by the Coalition Government.
Herald Sun |
|
Nevada high school choir to back Stones |
|
|
|
|
Sunday, 12 May 2013 13:03 |
|
You can't always get what you want. Unless, perhaps, you're a member of the Green Valley High School choir and you want a chance to sing on stage with the Rolling Stones.
news.com |
|
Recomposing the 'fourth B' |
|
|
|
|
Sunday, 12 May 2013 12:53 |
|
When I attend a concert, an opera or a play I love, I make a mental pact with the performers to compel me to see the piece afresh. The same issue arises, surely, for anyone who reads a second biography, especially of a prominent figure in our intellectual or cultural life.
The Australian |
|
|
|
|
|